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Amílcar Cabral

Amílcar Cabral

Agricultural engineerWikipedia

Search complete. 16 mentions across 10 episodes found for "Amílcar Cabral".

Sep 14, 2026

Bárbara BrancoNARRATOR
30:10
Como Eduardo Mondlane, o primeiro presidente da FRELIMO, que vai ser assassinado dentro de apenas três anos com uma encomenda bomba.
Bárbara BrancoNARRATOR
30:21
Ou Amílcar Cabral e Salvador Allende, que vão ambos morrer em 1973.
Bárbara BrancoNARRATOR
30:28
O fundador do PAIGC à porta de casa, em Conacri, às mãos de membros do próprio partido que criou.
Bárbara BrancoNARRATOR
30:35
O presidente chileno com um tiro na própria cabeça, durante o golpe de Estado liderado pelo general Augusto Pinochet.
speaker_3UNKNOWN
10:24
Okay.
Walter TurnerHOST
10:26
The name I think that we most often hear associated with the struggle, the PAIGC, is Amilcar Cabral.
Walter TurnerHOST
10:37
And I think you mentioned in there that somewhere in your intro there you're talking about – You know, that this is about more, this is a different picture just simply from Amilcar Cabral.
Walter TurnerHOST
10:48
As we move from Amilcar Cabral, why does Cabral, the Secretary General of the PAIGC, why does he receive such prominence? And how much of it was a challenge to write about this struggle and for it to not necessarily focus on Cabral?
Sonia Vaz-BorgesGUEST
11:09
Well, that was a huge challenge.
Sonia Vaz-BorgesGUEST
11:15
not to erase Cabral from the book, because that's impossible, but not to make him the center of the book, as normally his geography is made of him, most of the books.

19 MINS LATER

Sonia Vaz-BorgesGUEST
30:45
And I actually didn't want to analyze school manuals without having a background.
Sonia Vaz-BorgesGUEST
30:51
So I decided I'm going to search in the documents what names came up.
NickGUEST
38:20
Oh, that's really cool." You know? So like, you know, we, we've put all our cards on the table.
NickGUEST
38:24
I think there's a, there's a great, um, quote from, uh, the first president of, uh, of Guinea-Bissau, Amilcar Cabral, that says, you know, "Tell no lies and claim no easy victories." Right?
LynnGUEST
38:36
Yeah.
NickGUEST
38:36
And like in the entirety of this campaign, we have done our damnedest to tell the truth to these tenants and to be upfront with them, right? And like that shows.
Pali LehohlaGUEST
4:18
what the essence of our democracy is because we need to do that.
Pali LehohlaGUEST
4:22
At this stage, any kind of situation is not going to lead to a democratic process of what Amilcar Cabral says, people want good things about their children, education, living better lives.
Pali LehohlaGUEST
4:40
They want peace.
Pali LehohlaGUEST
4:41
They want all those things.
Pali LehohlaGUEST
7:29
It's water, it's sanitation.
Pali LehohlaGUEST
7:32
But their level of experience of democracy will be different, and therefore the manifestos will be different.
Pali LehohlaGUEST
7:38
But in the end, they'll be very forceful in capturing what Amilcar Cabral says.
Pali LehohlaGUEST
7:44
And then they'll reflect themselves in that democracy.
Nick EstesGUEST
60:22
He was, like, living in Geneva at the time.
Nick EstesGUEST
60:24
He had connected with a lot of, like, Third World revolutionaries, like Amilcar Cabral.
Nick EstesGUEST
60:29
He had helped, uh, the Treaty Council connect with all of these movements, right? And so in that sense, he did play that role of, of mediating these relationships and helping set up that 1977 gathering.
Nick EstesGUEST
60:45
Um, but then he also begins to get internally red-baited, right? Um, and then he ends up leaving, um, the group.
Mose ChikoweroGUEST
12:53
Uh, the war of liberation was a people's war.
Mose ChikoweroGUEST
12:57
Uh, and as, you know, writers like Amílcar Cabral in Guinea-Bissau and elsewhere, uh, have told us, you know, a people's culture is really key, uh, to not just liberation, but also to making nations.
Mose ChikoweroGUEST
13:12
So the collective histories and the collectivity of the expressiveness of joy tell us about a particular state of being, uh, which we can define as independence.
Mose ChikoweroGUEST
13:25
Uh, so it is these energies, it is, uh, the presence and core presence as people sang, 19 s- uh, in 1980, April 17 and 18.
Jaribu HillHOST
2:20
In this episode, we are talking about the power of art.
Jaribu HillHOST
2:26
We're talking about what Amilcar Cabral, the slain leader of Guinea-Bissau, once said, culture is the seed of resistance.
Jaribu HillHOST
2:36
It is also defense.
Jaribu HillHOST
2:39
And so we know that what Cabral meant when he said that, we have found at least one powerful example of that in the form of theater and dramatic arts and theater that you would know is rooted in the community, is rooted in the issues that people face every day, is rooted in Black artistry and excellence, is rooted in HBCU culture because it is housed on Jackson State University's campus.
Mhoze ChikoweroGUEST
12:24
The War of Liberation was a people's war.
Mhoze ChikoweroGUEST
12:27
And writers like Amilcar Cabral in Guinea-Bissau and elsewhere have told us that people's culture is really key to not just liberation, but also to making nations.
Mhoze ChikoweroGUEST
12:42
So, the collective histories and the collectivity of the expressiveness of joy tell us about a particular state of being, which you can define as independence.
Mhoze ChikoweroGUEST
12:56
So, it is these energies.
Mhoze ChikoweroGUEST
11:24
The War of Liberation was a people's war.
Mhoze ChikoweroGUEST
11:27
And writers like Amilcar Cabral in Guinea-Bissau and elsewhere have told us that people's culture is really key to not just liberation, but also to making nations.
Mhoze ChikoweroGUEST
11:42
So, the collective histories and the collectivity of the expressiveness of joy tell us about a particular state of being, which you can define as independence.
Mhoze ChikoweroGUEST
11:56
So, it is these energies.
Mhoze ChikoweroGUEST
12:23
Uh, the war of liberation was a people's war.
Mhoze ChikoweroGUEST
12:27
Uh, and as, you know, writers like Amilcar Cabral in Guinea-Bissau and elsewhere, uh, have told us, you know, a people's culture is really key, uh, to not just liberation, but also to making nations.
Mhoze ChikoweroGUEST
12:42
So the collective histories and the collectivity of the expressiveness of joy tell us about a particular state of being, uh, which we can define as independence.
Mhoze ChikoweroGUEST
12:55
Uh, so it is these energies, it is, uh, the presence and core presence as people sang 19 s- uh, in 1980, April 17 and 18.

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