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Amblin Entertainment

Amblin Entertainment

Amblin Entertainment is a film and television production company, led by Steven Spielberg, that develops and produces films using the Amblin Entertainment and DreamWorks Pictures banners and includes Amblin Television, a longtime leader in quality programming. Amblin’s recent releases include Steven Spielberg’s The Fabelmans, which won the Golden Globe for Best Picture Drama; 1917, which won three Academy Awards® and earned $385m at the global box office; and Green Book, which won three Academy Awards®, including Best Picture, and grossed more than $320m worldwide.www.amblin.com

Search complete. 368 mentions across 178 episodes found for "Amblin Entertainment".

Sep 11, 2026

DanHOST
13:54
I'm looking him up.
DanHOST
13:56
Uh, anyway, um, he wrote and directed this thing and, uh, Amblin produced this and also JJ Abrams, I think produced this.
DanHOST
14:04
So it's very influenced by J.J. Abrams and Spielberg, and it feels that way, but I love the dark edge it has.
DanHOST
14:10
Oh, yeah.
Rob LiefeldHOST
53:17
Uh, but that is just the tip of the iceberg when it comes to these incredible Norman Rockwells.
Rob LiefeldHOST
53:25
I mean, the, the, the, the amount of Norman Rockwells, uh, in, in this gallery, uh, we may be looking at the greatest concentration of Norman Rockwells outside of Steven Spielberg's Amblin offices.
Rob LiefeldHOST
53:38
I've mentioned it to you before when you go there, and I went there in 1992, behind giant bulletproof glass, giant encasements are at least eight of the finest.
Rob LiefeldHOST
53:49
And here's, here's the other dozen, okay? Norman Rockwells.
Denise DiNoviGUEST
50:30
not have a worse nightmare of a movie to open against and it you know it did not do well luckily i got from female critics it terrified male critics but i got enough good reviews where um And enough people liked the movie that I started, you know, I was developing two projects to direct again.
Denise DiNoviGUEST
50:53
One at Amblin, which, you know, luckily enough, I had a period of developing the movie with Steven Spielberg, which was a thrill.
Denise DiNoviGUEST
51:04
But it was weird, Todd.
Denise DiNoviGUEST
51:06
I got to a point and I thought, do I want to spend another two or three years developing a movie to direct? I had like three movies that could go as a producer.
Ryan DackoHOST
27:48
I got out of the military.
Ryan DackoHOST
27:49
I started a film company, and we did, uh, two feature films.
Ryan DackoHOST
27:53
Had a documentary go to Netflix.
Ryan DackoHOST
27:55
Parlayed that into working on high-voltage power lines.

12 MINS LATER

Ryan DackoHOST
40:08
They can throw a rock in a water, and that ripple just extends on forever.
Ryan DackoHOST
40:12
And we don't know where this is gonna go.
Ryan DackoHOST
40:14
We're hoping that Mr. Spielberg with, uh, with his company, Amblin, takes this on as a feature film.
Ryan DackoHOST
40:20
Uh, we're trying to show that a prequel to Jaws, once you watch it or once you read the novel, changes the way you see Quint in Jaws.
speaker_2HOST
24:26
We talked about how War of the Worlds was just added to Apple TV at the very start of September.
speaker_2HOST
24:31
Is that a total happy coincidence or is it a highly calculated, synchronized move by the industry like a literal handshake behind closed doors between Apple, Universal, Amblin and whoever else is involved to whip up a Spielberg frenzy just weeks before his brand new movie makes its grand streaming debut?
speaker_1HOST
24:49
Well, whether it was negotiated specifically for this purpose months in advance or whether it was just a fortuitous alignment of existing licensing windows, the psychological effect on the consumer is exactly identical.
speaker_1HOST
25:01
True.
Ian DukesHOST
7:12
That man bewitched us with that movie.
Jon DrakeHOST
7:13
He really did, but this is a much more straightforward Amblin-style thriller but with more of a mean streak than you expect from those type of movies.
Jon DrakeHOST
7:21
I'm not spoiling anything to say the movie is about a suburban family in the early 1980s who, they gotta deal with some dinosaurs.
Ian DukesHOST
7:27
Oh.
speaker_4HOST
25:04
Agent J is a new recruit, but the dynamic between them is much closer to a paranoid, gritty conspiracy thriller than a buddy cop comedy.
speaker_3HOST
25:13
So Sony and Amblin Entertainment get their hands on these six black and white issues.
speaker_3HOST
25:18
They look at this indie comic, and they realize it's a goldmine of world building.
speaker_4HOST
25:23
They saw the potential immediately.
Jordan GrantHOST
13:41
Well, I think he developed the story for it.
Jordan GrantHOST
13:45
Obviously, Universal and Amblin because it's Steven Spielberg.
Jordan GrantHOST
13:49
If you're at Universal Studios Orlando, you should check out the Steven Spielberg exhibit.
Jordan GrantHOST
13:52
Super cool, authentic stuff.
Steven SeighmanHOST
42:10
Oh, you're right, right, right
Mike MessineoHOST
42:10
... that Scorsese was actually rewriting the script for and working on in that moment, both being produced by Amblin.
Mike MessineoHOST
42:17
So they're both movies that Spielberg had shepherded.
Mike MessineoHOST
42:20
But Scorsese was, was looking at doing Schindler's List, and at one point, they had a conversation, and I think that, that Spielberg realized or Scorsese convinced him that Schindler's List was truly the project of his life that he needed to do.
speaker_7HOST
10:12
The 1995 film is the foundational text for what they're attempting to do here, which makes the involvement of Steven Spielberg so critical.
speaker_6HOST
10:21
Because he executive produced that original 1995 Universal movie via his Amblin Entertainment banner, and he is back.
speaker_7HOST
10:28
He's officially executive producing this new 2026 series right alongside Letterman and Winston.
speaker_6HOST
10:34
We're talking about a 30-year gap in an industry where executives are fired after a single bad weekend at the box office and properties are bought and sold like trading cards.
speaker_6HOST
10:50
It's incredibly rare.
speaker_6HOST
10:52
Usually when Legacy IP is rebooted decades later, original producers are either bought out of their contracts, given a meaningless vanity credit, or completely sidelined by the new corporate regime.
speaker_7HOST
11:03
For Spielberg to remain actively attached and to lend the immense weight of his name and Amblin Entertainment to a streaming television series signifies a profound level of investment.
speaker_7HOST
11:15
It acts as a crucial seal of quality control.

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