All Blues

¦ ¦ Yeah! Yeah! ? ? so so so ? ? ? ? ? ?

All Blues, a Miles Davis classic from the album's kind of blue, but we heard this from a tribute album.

It's called Four Generations of Miles, a live tribute to Miles Davis, featuring musicians from different eras of Miles Davis's music.

Jimmy Cobb on drums, George Coleman on tenor saxophone, Mike Stern on electric guitar, and Ron Carter on bass.

My debut 1994 album, Miles Behind, featured my take on three classic jazz tunes.

All Blues is a Miles Davis tune featuring the late, great Jon Lucien on vocals.

The sea, the sky, and you and I.

Sea and sky, and you and I are all blue.

Je rappelle que les extraits qu'on vous fait jouer aujourd'hui ont été enregistrés, captés dans le cadre des Rendez-vous gourmands qui ont eu lieu au début septembre au parc Jean-Drapeau.

Alors, on va écouter la pièce, l'interprétation de DegrooveJazz de la pièce de Miles Davis qui s'appelle All Blues.

[musique][musique de jazz] On est avec Sophie Rivard.

Sophie Rivard, je la connais.

South America and Australia I've known rivers, I've known rivers I've known rivers in the north and the south I've known rivers in the east and the west I've known rivers all over this world I've sailed some and seen the rest I've known rivers, I've known rivers I know rivers, ancient dusky rivers And my soul has grown deep like the rivers, rivers, rivers

We heard the tune, All Blues.

It's a Miles Davis composition.

It was recorded in 1959 on the classic album.

Yep.

And we were about to go on stage, I mean, like two minutes before we were walking out, and Rob started playing the Miles Davis tune, All Blues from that kind of blue album that we all love so much.

Mm-hmm.

And Tony just stopped dead in his tracks, and he looked at me and said, man, you know the bass parts of that? I was like, well, yeah, it's pretty simple.

Hang on, man.

By the time it gets to you, you'll have it.

And we went out there and played all blues for like 12 minutes.

I don't know if you remember that.

And each has, and each is like a perfect example of its own identity, right? So like, So What is like the beginning of modal jazz as we know it, right? Um, you know, uh, Blue in Green is like a classic ballad, right? And every track is like a classic example.

Uh, All Blues is a g- great example.

It's a little funky 'cause it's a 6/8 blues rather than a 4/4 blues.

But like each track, uh, in So What is like a self-contained little world that is absolutely delicious and perfect.