Akai
Electronics companyWikipedia
10
MENTIONS
7
EPISODES
5
PODCASTS
Search complete. 10 mentions across 7 episodes found for "Akai".
Sep 23, 2026
EAR*WAX Magazine: Volume 1, Issue 3
O
40:11Oliver MorrisHOST
That's because we're going old school, get it? Never mind now show your hands who knows the villain with a metal face Well, it's more of you than I expected Now Professor Dreesnick stole the new and novel, but you gotta know your roots, and the roots is Doom.
O
40:31Oliver MorrisHOST
MF Doom made Operation Doomsday on a borrowed Akai MPC drum machine once a week while crashing at his friend's house.
O
40:38Oliver MorrisHOST
Why? Because the other six days he was sleeping on benches and hustling to get by.
O
40:42Oliver MorrisHOST
The death of his brother left him traumatized and miserable and twisted him into the villain we know as Doom.
DJ Aphrodite aka Gavin King
P
10:49Paulee Alex BowHOST
Yeah.
G
10:49Gavin KingGUEST
But at the time this was mind-blowing because, um, a load of modern synths and samplers, like Akai samplers could, couldn't do it.
G
10:57Gavin KingGUEST
They, they-
P
10:57Paulee Alex BowHOST
Sure
G
10:58Gavin KingGUEST
... couldn't do it.
G
10:58Gavin KingGUEST
It, it was, uh, I did spend, I remember spending days and days once, uh, I got my first Akai sampler to try-
P
11:10Paulee Alex BowHOST
Yeah
G
11:10Gavin KingGUEST
... and emulate the power of the bass-
Neon Nostalgia: Defining Chillwave and Synthwave Aesthetics
S
9:58speaker_1HOST
Right.
S
9:58speaker_1HOST
They used Akai MPC samplers to chop up old songs.
S
10:02speaker_1HOST
They embraced actual physical cassette tape recordings specifically to get that lo-fi texture we talked about.
S
10:08speaker_1HOST
Mm-hmm.
P
Unknown podcast
How Sampling Rewrote the Producer’s Playbook
Sep 7 · 1 Mention
S
4:59speaker_1UNKNOWN
A VST could replicate that effect with similar cost and flexibility.
S
5:04speaker_1UNKNOWN
The 2000s brought even more affordable samplers like the Akai MPC 2000 XL and later the MPC Live series.
S
5:13speaker_1UNKNOWN
These allowed mobile producers to load custom sample libraries, chop them live on the pad, and export stems straight into a DAW.
S
5:20speaker_1UNKNOWN
The ability to clip an entire bassline from an old funk track and twist it into a new groove was literally in your backpack.
P
Unknown podcast
The Synclavier: How One Console Sparked the DAW Revolution
Sep 7 · 1 Mention
S
5:11speaker_1UNKNOWN
Composers needed the reliability that only a top tier studio could deliver.
S
5:17speaker_1UNKNOWN
One fascinating aspect was how the Sinclair influenced later homework stations like the Akai MPC series.
S
5:24speaker_1UNKNOWN
Though those would strip back to groove boxes, the idea of integrated sampling and sequencing persisted.
S
5:31speaker_1UNKNOWN
Fast forward to today, and almost every DAO, whether Logic Pro, Ableton Live, or Pro Tools, offers a full sampler module, built-in MIDI sequencer, and hard disk editing with zero latency, all bundled into the same software.
The Guitar as Interface: Angine de Poitrine's Digital Evolution
S
21:43speaker_0HOST
Exactly.
S
21:44speaker_0HOST
The strings and the frets are just a data entry point, conceptually no different than the plastic keys on a synthesizer or the rubber pads on an Akai MPC drum machine.
S
21:54speaker_1HOST
Wow.
S
21:55speaker_1HOST
Yeah.
Enjoying The Downtime - Interview with Ron S
S
30:13Steve SwisherHOST
Which, I mean...
R
30:15Ron S.GUEST
Akai is sort of done with the Force and Ableton with the Push 3 standalone, so the point's somewhat moot, but yeah.
R
30:24Ron S.GUEST
The Command Station was awesome for that, and it was a fun machine.
S
30:27Steve SwisherHOST
If