Adrian Biddle

The first thing they did was to secure the services of editor Martin Hunter, who had worked with Paul W.S. Anderson on Mortal Kombat.

The second was to get Adrian Biddle as their director of photography, the same director of photography on Aliens, Thelma and Louise and 1492.

But they didn't just focus on big name proven talent.

For the production design, they hired Joseph Bennett, a fresh faced newbie.

Matt, you are usually our tech expert on all these different kinds of things.

But the cinematography, which was by Adrian Biddle, was shot not...

in scope ratio, but in a 1.85 ratio.

Evidently, Cameron didn't want to use anamorphic lenses, and he was convinced not to try to shoot on Super 35, which was probably a smart thing, because it would have been probably a little too grainy.

Yeah.

Cinematographer Adrian Biddle.

Yeah.

They also like, they had a.