Adelaide's Lament

not, you know, something happens in them that isn't just, okay, let's, now we dance.

You know, in these production numbers, of course, we can, you know, they're massive production numbers, which are, you know, obviously huge, like a crapshooters ballet or, you know, these big numbers, then we go right down to Adelaide's Lament, which is equally as delicious in its comedy and it's also very moving and a lot is said in it.

So I can't think of a lot of shows, I think a lot of shows have those elements, But it's just a relentless kind of wonderfulness, is what I call it, when I'm doing that show.

Does that answer that question? I think so.

And of course, you know, you need that permission to be able to, uh, to go on that path.

Yeah.

Someone else asked on, can you speak to Adelaide's solo, Adelaide's Lament, and her character's journey in the show? Exactly the women's role in the show, as you've been saying, are so vital to you.

How did you work with, how did you think about that particular number? Well, you