Adam Locke-Norton
Film editor
16
MENTIONS
10
EPISODES
10
PODCASTS
Search complete. 16 mentions across 10 episodes found for "Adam Locke-Norton".
Oct 19, 2026
Lance OppenheimGUEST
Nathan called his camera operator, Jonathan Mitchell, who had worked with him on the curse and Nathan for you and the rehearsal.
Lance OppenheimGUEST
He called his editor, Adam Locke Norton, who is brilliant, who's cut everything he's ever done.
Lance OppenheimGUEST
Basically, they went to high school together.
Lance OppenheimGUEST
Adam also produced and edited how to with John Wilson.
11 MINS LATER
Lance OppenheimGUEST
It was like we shot for almost three and a half years.
Lance OppenheimGUEST
So there were things that I would find interesting that he wouldn't find interesting and vice versa.
Lance OppenheimGUEST
And usually those were the things that actually ended up being like the, the, the Adam, our editor would end up seizing on and being like, that's really, that's like, that's a special moment.
Lance OppenheimGUEST
And it would be something that we've got the editor there looking
Christian TitusVOICE_ACTOR
And some places today.
Em EldridgeNARRATOR
We have some editors going after work.
Em EldridgeNARRATOR
Are you nervous about the wider public reception?
Christian TitusVOICE_ACTOR
I am.
Em EldridgeNARRATOR
And our senior features editor is Jason Kay.
Em EldridgeNARRATOR
Special thanks to Wired's global editorial director, Katie Drummond.
Em EldridgeNARRATOR
Executive director of features and special projects, Rehan Harmanci.
Em EldridgeNARRATOR
And executive director of global audio, Nico Steele.
Christian TitusNARRATOR
This is a question that we are still debating to this day.
Christian TitusNARRATOR
Me and my editor, Adam Locke Norton, who has worked with me on the rehearsal and for years.
Christian TitusNARRATOR
We were debating exactly this because it keeps changing.
Christian TitusNARRATOR
The difficult thing about this whole thing is there are so many pieces and some of them are contradictory.
11 MINS LATER
Christian TitusNARRATOR
We're trying to focus on these moments that we couldn't really make sense of fully.
Christian TitusNARRATOR
Like I was saying, still to this day, I'm debating.
Christian TitusNARRATOR
Why are me and my editor talking two days ago about trying to understand certain things? I've talked to people who have seen it, and they're all bringing out new ideas that I would never even consider.
Christian TitusNARRATOR
So you
Nathan FielderGUEST
I said this when we did the Telluride screening, but, like, I am still, like, struggling to this day to understand what I went through here.
Nathan FielderGUEST
Like, truly, just the other day, me and my editor, Adam Locke Norton, were still sort of going back and forth on certain moments and what they meant, and...
Nathan FielderGUEST
I'm like, part of why I'm excited for the movie to come out is I'm like really curious to hear what everyone else thinks and like what they're making of certain things.
Nathan FielderGUEST
I think it will actually help me understand and get like clarity a little more.
Christian TitusVOICE_ACTOR
And some places today.
Em EldridgeVOICE_ACTOR
We have some editors going after work.
Em EldridgeVOICE_ACTOR
Are you nervous about the wider public reception?
Christian TitusVOICE_ACTOR
I am.
Em EldridgeVOICE_ACTOR
And our senior features editor is Jason Kay.
Em EldridgeVOICE_ACTOR
Special thanks to Wired's global editorial director, Katie Drummond.
Em EldridgeVOICE_ACTOR
Executive director of features and special projects, Rehan Harmanci.
Em EldridgeVOICE_ACTOR
And executive director of global audio, Nico Steele.
Christian TitusVOICE_ACTOR
And some places today.
Em EldridgeVOICE_ACTOR
We have some editors going after work.
Em EldridgeVOICE_ACTOR
Are you nervous about the wider public reception?
Christian TitusVOICE_ACTOR
I am.
Christy LemireHOST
And does so much with limited light, with natural light, again, to make things feel kind of gauzy and warm, like you're ensconced in this place.
Christy LemireHOST
And then I got to call out also Adam Locke Norton is the editor.
Christy LemireHOST
Yes.
speaker_0UNKNOWN
Who
Bane DukeHOST
There was a lot less narrative, but there's definitely a story being told there underneath the surface, besides just what was actually happening in the shots, you know? So,
CharlieHOST
So you kind of have this idea of the primetime cinematographer is in this, right? Editor Adam Locke Norton of The Curse, composer of some kind of heaven, and kind of makes this stand above.
CharlieHOST
It's like we're looking at a potential now where – This might happen.
CharlieHOST
I've seen some people say Hoop Dreams, Woodstock, or some of the other documentaries that have had this potential.