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Verve Records

Verve Records

The Verve Label Group (VLG), a division of Universal Music Group based in New York City, comprises some of the greatest label imprints in jazz, classical, and beyond including Decca Records, Decca Classics, Deutsche Grammophon, Impulse!, Verve Records, and Verve Forecast, among others. VLG’s current roster includes Samara Joy, Jon Batiste, Louis Armstrong, Diana Krall, Madison Cunningham, Tank and the Bangas, S.G. Goodman, Andrea Bocelli and many more.www.ververecords.com

Search complete. 13 mentions across 10 episodes found for "Verve Records".

Sep 24, 2026

DrewHOST
57:35
The album is called Motherland.
DrewHOST
57:38
And it was on the Verve Music Group.
DrewHOST
57:40
It contains 13 songs, 56 minutes total.
DrewHOST
57:45
Danilo Perez is a Panamanian pianist, composer, educator, and a social activist, according to Wiki.
AdamHOST
32:24
All right.
AdamHOST
32:24
He's an A&R guy at Verve Records.
AdamHOST
32:27
He needs his piano tuned.
AdamHOST
32:30
No joke.

21 MINS LATER

PhilHOST
53:17
It's a good way to mix it up, you know.
AdamHOST
53:18
Our next number, 15,000.
AdamHOST
53:21
That's how much it cost to record her first album for Verve Records, which feels like a lot of money for 1966.
AdamHOST
53:29
There's a lot of strings on it, a lot of backup singers, but I think that's like over $100,000 in 20, $26.
DonnieHOST
149:33
It's from 1968.
DonnieHOST
149:37
From the album White Light, White Heat, of Verve Records, of course.
DonnieHOST
149:42
Before that was New Juggler Sound, Trouble Child, 1970, some Peruvian garage rock.
DonnieHOST
149:53
Before that was Traffic, Shootout at the Fantasy Factory, 1973.
Ross GolanHOST
2:50
That's what happens when you sell your information to Meta.
Ross GolanHOST
2:54
Laufey signs with Interscope Records and Verve Records, so that means that she's no longer independent.
Ross GolanHOST
3:00
Once again, Interscope and UMG are cleaning up.
Ross GolanHOST
3:04
They are picking up some amazing artists that are around.
David BensonGUEST
25:36
That was a Michael Lloyd thing.
David BensonGUEST
25:38
But when this album came up, this is when he just started the new deal with Verve Records.
David BensonGUEST
25:43
And he told me about this idea.
David BensonGUEST
25:45
He had the idea.
how did i get here?

how did i get here?

Lily Meola

Sep 11 · 2 Mentions

Johnny GowdyHOST
28:46
Like, were they
Lily MiolaGUEST
28:46
major deals? No, the first one was a development deal with Verve Records with David Foster.
Johnny GowdyHOST
28:55
Wow.
Lily MiolaGUEST
28:56
Yeah.
Lily MiolaGUEST
30:20
It was so cool to see him work.
Lily MiolaGUEST
30:27
And one day he told my mom, he's like, I'm going to record Lily eventually.
Lily MiolaGUEST
30:33
And so down the road, he got me that development deal with Verve Records
Lily MiolaSOUNDBITE_SPEAKER
30:39
and
Tobias TannerGUEST
0:51
So seeing the living legends basically every night or studying with them was just an incredible experience.
Tobias TannerGUEST
0:58
Fast forward, I started my career at Universal Records, working for Verve Music, a legendary music house, so definitely an honor to be working there.
Tobias TannerGUEST
1:08
Two years, two months later, I co-founded my own boutique jazz label at the intersection of jazz and lifestyle music.
Tobias TannerGUEST
1:18
that's where things started to get interesting because i was living for family reasons between new york and geneva switzerland and for jazz europe is very important market and we started to focus on selling music and non-traditional venues such as working with hotels uh design shops museums etc so we created an international distribution network uh did a lot of uh digital partnerships uh everything from amazon i'm sorry not amazon but um microsoft so one of their operating systems i think it was the vista was embedded with 13 tracks as a global license two of those tracks are from our artists a lot of things with apple itunes music uh et cetera et cetera aol music i'm dating myself so we did a lot of digital and sort of hybrid focusing on physical as lifestyle um Fast forward, it's hard to compete with free because that's what the industry was quickly becoming.
Rachel OaksHOST
24:35
Oh.
Michael CassellHOST
24:35
Oh.I think they were just trying to get signed to Verve Records.
Michael CassellHOST
24:39
Um-
Rachel OaksHOST
24:40
Oh, sure
Michael CassellHOST
24:05
Oh.
Michael CassellHOST
24:06
I think they were just trying to get signed to Verve Records.
Michael CassellHOST
24:10
Oh, sure.
Michael CassellHOST
24:10
They were like, we really want to be jazz musicians.
Price RobertsonHOST
0:56
Already famous in his native country by the late 1950s, he became an internationally renowned star in the mid-1960s through his collaboration with the singer-astroed Gilberto, who with saxophonist Stan Getz scored a major hit in 1964 with the girl from Ipanema.
Price RobertsonHOST
1:10
Von Der Lee recorded six albums on Verve Records between 1966 and 1968.
Price RobertsonHOST
1:15
In September 1966, his version of Samba Samba hit the Billboard charts.
Price RobertsonHOST
1:19
reaching number 26 on the Hot 100 and number 3 on the Easy Listening Chart.

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