The Weinstein Company

Though maybe that's largely because the character's stark, grim, 17th century Puritan outfit with a wide-brimmed slouch hat and a flowing black cape so closely matches the look of Matthew Hopkins, even if the character is more genuine in motivations.

The year is 2009, and the Weinstein Company and Davis Films are ready to release the film version of Robert E. Howard's supernatural battling Puritan hero, and in the process, hopefully launch the next big dark fantasy action franchise with Solomon Cain.

seven, six, five, four,

three,

All right, tonight we are doing Dracula 2000.

Brought to us by the Weinstein Company, unfortunately.

And directed by Patrick Lussier, who was Wes Craven's editor for quite a few of his movies, but notably Scream 1 and Scream 2.

So when he left to do this instead of Scream 3, Wes Craven went, okay then.

I think the same movie company made because a lot of actors in this movie are in these movies like Danny Trejo.

A lot of the people who make these movies are I guess it was Dimension and the Weinstein Company and all those same people worked on all the same types of movies and stuff.

But in Spy Kids 2, who's the actor who's always in the Adam Sandler movies? And but he's an actually really good actor.

With the weird eyes.

Although Weinstein was a serial abuser, and in that regard a closer match to Epstein than Prince Andrew, Ms. Wong nevertheless claimed... that it was proper to exclude the Weinstein settlements because 1.

Weinstein Company was in bankruptcy proceedings at the time, which could have reduced the claimant's leverage, and 2.

Weinstein's victims were reportedly older than Epstein's, which, as noted above, would have reduced the potential liability.

As was the case with Epstein's victims, however, Ms. Wong possessed no data on the ages of Weinstein's victims and thus had no way to quantify the reported average age difference.

I don't know why it wasn't working.

Now that we know the behind-the-scenes of The Weinstein Company, it makes sense as to why it was so chaotic." In 2014, Judy Greer spoke of the film in an interview and said, I don't know why that film got so fucked up.

I don't understand it.

I thought the script was fine.

And, um, it was very, very, like, raw and very edgy, and the cut that played at Sundance was, like, unbelievably raunchy, like shockingly so.

And then it was acquired out of Sundance by Radius TWC, which was a offshoot of The Weinstein Company.

So when it was acquired, Harvey Weinstein, which he was very famous for doing, would take these projects, and he was famously nicknamed Harvey Scissorhands because he would just acquire these projects, and he would shred them to ribbons, uh, based on his personal taste and opinion.

He did that with Leslie Hedland's movie, "Bachelorette." Um, it's still a great movie, and I'm very, like, happy I worked on it.

Usher, Usher, Usher.

Writers David Wechler and Bruce Kimmel originally wrote the story for The Faculty as a spec script as early as 1993, where the Weinstein Company bought it, but shelved it for years.

Sounds like them.

After the, after the success of the, of Scream, the Weinsteins wanted to cash in on teen horror boom.

And funny, you don't drink, you don't do drugs.

You start making A's and B's, you get a degree, right? And then I moved to LA and I got an internship at Weinstein Company.

And I remember I'd walk in there and there'd be all these people 10 years younger than me.

And I was like, What did I do to myself? And then I just kept showing up every single day, sort of like getting sober.