The Hit Factory
17
MENTIONS
10
EPISODES
9
PODCASTS
Search complete. 17 mentions across 10 episodes found for "The Hit Factory".
Sep 15, 2026
Jo Koy
J
17:30Jo KoyGUEST
Yeah.
S
17:32Shawn StockmanHOST
So we, we get into town, we drive to the, to the Hit Factory, and he's there, and he invites us in, and he invites us to his room.
S
17:42Shawn StockmanHOST
And within that 5 to 10 minutes we were there, he taught me personally so much.
S
17:47Shawn StockmanHOST
First off, you walk in, he has a bed in the room, so basically he's sleeping in the studio.
Rico Love
E
3:16EssoHOST
Jim Johnson.
E
3:17EssoHOST
It was at the Hit Factory.
E
3:18EssoHOST
Yeah, that was before.
E
3:20EssoHOST
That's what I'm trying to say.
E
3:21EssoHOST
I know you before, nigga.
E
3:22EssoHOST
What the fuck are you talking about? It was at the Hit Factory and I never forgot it.
E
3:27EssoHOST
I was at Roc Nation.
E
3:28EssoHOST
We opened doors at Roc Nation, in case that y'all didn't know.
Episode 232: Powertools ft: Seeing Double and Richard Vission
S
27:17speaker_9GUEST
Um, so he w- he worked in Dr. Dre's studio.
M
27:20MichaelGUEST
The Hit Factory.
S
27:21speaker_9GUEST
The Hit Factory.
R
27:22Richard VissionHOST
Oh, okay.
S
27:22speaker_9GUEST
So back then.
Rico Love
E
3:00EssoHOST
Jim Johnson.
E
3:00EssoHOST
It was at the Hit Factory.
E
3:02EssoHOST
Yeah, that was before.
E
3:04EssoHOST
That's what I'm
H
3:05HynakenHOST
I
E
3:05EssoHOST
know you before, nigga.
E
3:06EssoHOST
What the fuck you talking about? It was at the Hit Factory and I never forgot it.
E
3:11EssoHOST
I was at Roc Nation.
Ashley Kahn, "Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland" (Atria Books, 2026)
S
36:17speaker_2ADVERTISER
PayPal Inc. NMLS 910457.
B
36:21Bradley MorganHOST
When Paul Simon returned to the U.S., work on the album continued at the Hit Factory in New York, where he edited the tape loops recorded in South Africa and began adding lyrics.
B
36:31Bradley MorganHOST
And he also brought along Ray Peary and Bikiti Kamalo to help finish the tracks.
B
36:35Bradley MorganHOST
And you write in the book about this being their first experience in America.
Benzino Admits the Eminem Diss Cost Him a Million Dollar Deal
F
60:01Ferrari SimmonsHOST
Do you think that you and Eminem or you and 50 can ever have a conversation and squash all this shit?
B
60:06BenzinoGUEST
Well, you know when 50 was at the Hit Factory with Ja Rule and him and he got stabbed, he ran down to my session.
B
60:12BenzinoGUEST
And I helped him.
B
60:14BenzinoGUEST
And this was before all this.
B
60:21BenzinoGUEST
Did you know that story?
B
60:23BTHOST
When
B
60:23BenzinoGUEST
he was at the Hit Factory, and he got stabbed with Ja Rule and them.
B
60:26BenzinoGUEST
Remember that story?
096 Ashley Kahn on Paul Simon's "Graceland"
M
14:27Mark MastersHOST
Mm
A
14:27Ashley KahnGUEST
... that they found the right studios with the right compatible assistant engineers, a guy named Mark Cobrin at the Hit Factory in New York, and Steve Strassman at Amigo Studios in LA.
A
14:42Ashley KahnGUEST
And so-
M
14:42Mark MastersHOST
Mm-hmm
Ep. 316: A discussion on Paul Simon’s “You Can Call Me Al”
C
12:23Chris FafaliosHOST
No.
C
12:24Chris FafaliosHOST
Uh, this song that we're gonna talk about today, You Can Call Me Al, was recorded entirely at the Hit Factory in New York City in April of 1986.
C
12:32Chris FafaliosHOST
The song peaked at number 23 on the Hot 100 on May 23rd of 1987.
C
12:38Chris FafaliosHOST
I'm surprised it only went to number 23 for how, how big I feel like this song was and is.
William Orbit
W
41:42William OrbitGUEST
You s- uh, 17 tracks or something like that, and I've already worked on several.
W
41:46William OrbitGUEST
Would you like to come out to New York to The Hit Factory and try recording?" Boom.
W
41:52William OrbitGUEST
Um, put me on a flight.
W
41:54William OrbitGUEST
Went out there.
W
41:55William OrbitGUEST
We went into The Hit Factory.
W
41:57William OrbitGUEST
I'm think, uh, uh, I'm thinking this isn't gonna work 'cause she's a pop kind of artist.
W
42:00William OrbitGUEST
She's gonna kill my music.
W
42:38William OrbitGUEST
She gets it.
328: Ashley Kahn
A
10:10Ashley KahnGUEST
Same thing with digital recording technology and how Rory Halle found a way to balance that out with the warmth of analog tape, which was still being used.
A
10:21Ashley KahnGUEST
And that crazy moment in the mid-'80s when those two formats in the recording studios, especially the top ones like Hit Factory, Amigo Studios in L.A., they had this sort of cross-pollination going on.
A
10:38Ashley KahnGUEST
And then finally the decision was made.
A
10:40Ashley KahnGUEST
Record in analog, edit in digital.