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The Hit Factory

The Hit Factory

Search complete. 17 mentions across 10 episodes found for "The Hit Factory".

Sep 15, 2026

Jo KoyGUEST
17:30
Yeah.
Shawn StockmanHOST
17:32
So we, we get into town, we drive to the, to the Hit Factory, and he's there, and he invites us in, and he invites us to his room.
Shawn StockmanHOST
17:42
And within that 5 to 10 minutes we were there, he taught me personally so much.
Shawn StockmanHOST
17:47
First off, you walk in, he has a bed in the room, so basically he's sleeping in the studio.
BagFuel

BagFuel

Rico Love

Sep 15 · 2 Mentions

Top 50%
EssoHOST
3:16
Jim Johnson.
EssoHOST
3:17
It was at the Hit Factory.
EssoHOST
3:18
Yeah, that was before.
EssoHOST
3:20
That's what I'm trying to say.
EssoHOST
3:21
I know you before, nigga.
EssoHOST
3:22
What the fuck are you talking about? It was at the Hit Factory and I never forgot it.
EssoHOST
3:27
I was at Roc Nation.
EssoHOST
3:28
We opened doors at Roc Nation, in case that y'all didn't know.
speaker_9GUEST
27:17
Um, so he w- he worked in Dr. Dre's studio.
MichaelGUEST
27:20
The Hit Factory.
speaker_9GUEST
27:21
The Hit Factory.
Richard VissionHOST
27:22
Oh, okay.
speaker_9GUEST
27:22
So back then.
BagFuel

BagFuel

Rico Love

Sep 7 · 2 Mentions

Top 50%
EssoHOST
3:00
Jim Johnson.
EssoHOST
3:00
It was at the Hit Factory.
EssoHOST
3:02
Yeah, that was before.
EssoHOST
3:04
That's what I'm
HynakenHOST
3:05
I
EssoHOST
3:05
know you before, nigga.
EssoHOST
3:06
What the fuck you talking about? It was at the Hit Factory and I never forgot it.
EssoHOST
3:11
I was at Roc Nation.
speaker_2ADVERTISER
36:17
PayPal Inc. NMLS 910457.
Bradley MorganHOST
36:21
When Paul Simon returned to the U.S., work on the album continued at the Hit Factory in New York, where he edited the tape loops recorded in South Africa and began adding lyrics.
Bradley MorganHOST
36:31
And he also brought along Ray Peary and Bikiti Kamalo to help finish the tracks.
Bradley MorganHOST
36:35
And you write in the book about this being their first experience in America.
Ferrari SimmonsHOST
60:01
Do you think that you and Eminem or you and 50 can ever have a conversation and squash all this shit?
BenzinoGUEST
60:06
Well, you know when 50 was at the Hit Factory with Ja Rule and him and he got stabbed, he ran down to my session.
BenzinoGUEST
60:12
And I helped him.
BenzinoGUEST
60:14
And this was before all this.
BenzinoGUEST
60:21
Did you know that story?
BTHOST
60:23
When
BenzinoGUEST
60:23
he was at the Hit Factory, and he got stabbed with Ja Rule and them.
BenzinoGUEST
60:26
Remember that story?
Mark MastersHOST
14:27
Mm
Ashley KahnGUEST
14:27
... that they found the right studios with the right compatible assistant engineers, a guy named Mark Cobrin at the Hit Factory in New York, and Steve Strassman at Amigo Studios in LA.
Ashley KahnGUEST
14:42
And so-
Mark MastersHOST
14:42
Mm-hmm
Chris FafaliosHOST
12:23
No.
Chris FafaliosHOST
12:24
Uh, this song that we're gonna talk about today, You Can Call Me Al, was recorded entirely at the Hit Factory in New York City in April of 1986.
Chris FafaliosHOST
12:32
The song peaked at number 23 on the Hot 100 on May 23rd of 1987.
Chris FafaliosHOST
12:38
I'm surprised it only went to number 23 for how, how big I feel like this song was and is.
How To DJ

How To DJ

William Orbit

Aug 21 · 3 Mentions

Top 20%
William OrbitGUEST
41:42
You s- uh, 17 tracks or something like that, and I've already worked on several.
William OrbitGUEST
41:46
Would you like to come out to New York to The Hit Factory and try recording?" Boom.
William OrbitGUEST
41:52
Um, put me on a flight.
William OrbitGUEST
41:54
Went out there.
William OrbitGUEST
41:55
We went into The Hit Factory.
William OrbitGUEST
41:57
I'm think, uh, uh, I'm thinking this isn't gonna work 'cause she's a pop kind of artist.
William OrbitGUEST
42:00
She's gonna kill my music.
William OrbitGUEST
42:38
She gets it.
Ashley KahnGUEST
10:10
Same thing with digital recording technology and how Rory Halle found a way to balance that out with the warmth of analog tape, which was still being used.
Ashley KahnGUEST
10:21
And that crazy moment in the mid-'80s when those two formats in the recording studios, especially the top ones like Hit Factory, Amigo Studios in L.A., they had this sort of cross-pollination going on.
Ashley KahnGUEST
10:38
And then finally the decision was made.
Ashley KahnGUEST
10:40
Record in analog, edit in digital.

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