
PYE Records
Record labelWikipedia
20
MENTIONS
4
EPISODES
4
PODCASTS
Search complete. 20 mentions across 4 episodes found for "PYE Records".
Sep 23, 2026
Introducing: Revolution-A Beatles Podcast Brian Epstein Episode 1
J
6:33JustinHOST
What he does next is what really impressed everyone more than anything, and I'm not talking about the suits and the haircuts, and that's what everyone remembers, right, of what Brian Epstein did for this band.
J
6:44JustinHOST
But he gets rejected by Decca Records, he gets rejected by Pye Records, Philips Records, Columbia Records.
J
6:51JustinHOST
I mean, he was shopping this band around.
T
6:53TylerHOST
He's really pounding the pavement for these guys.
A Mixology Conversation with Andrew Sandoval on The Kinks: The Day-by-Day Story 1940-1971
A
21:59Andrew SandovalGUEST
And he found other things which...
A
22:01Andrew SandovalGUEST
Luckily, I was able to listen to, we had multitracks for sessions that weren't in the Pi, Castle, Sanctuary, or even Conk archives.
A
22:13Andrew SandovalGUEST
There's stuff spread out in different places.
A
22:15Andrew SandovalGUEST
So we had access to all this stuff, much like the songs that have turned up recently online that people were talking about from Where Was Spring.
7 MINS LATER
A
29:01Andrew SandovalGUEST
Surprisingly enough, not everybody in the Kinks world agrees on everything.
A
29:07Andrew SandovalGUEST
Shocker!
F
29:11FrederickHOST
So jumping back into kind of my sort of somewhat chronological notes, I suppose, of talking points, I also love or find fascinating the December 7th note about when there's the three-way payment split between Shell, Bosco Bell and Pi, just because that, as you note in the book, it seems that's very clear as to why stereo mixes just vanish for the next year.
F
29:35FrederickHOST
I just found that really interesting in the context of this podcast sort of thing.
Ep. 15: Muswell Hillbillies (1971)
L
4:04Liam PorterHOST
So yeah, last series towards the end, you were telling me there was increasing tension between the record company and Ray Davies.
L
4:12Liam PorterHOST
Ray Davies wanted to make albums like Village Green Preservation Society, and the record label just wanted them to be hitmakers like they used to be.
L
4:21Liam PorterHOST
He really didn't mind alienating the mainstream to pursue his own peculiar interests.
A
4:26Adam SmithHOST
Yeah.
26 MINS LATER
A
30:20Adam SmithHOST
Lola, the single, was a huge commercial hit.
A
30:23Adam SmithHOST
They were back to in the US.
A
30:24Adam SmithHOST
They built up a head esteem of being a current happening band again so they had the leverage to dump their old record label pie hadn't treated them that well because they weren't really an album label and they wanted to be an album band or raided so an rca it was kind of like we will let you be an album band you have complete creative freedom
L
30:42Liam PorterHOST
how many albums will they go on to make with this label
Ep. 15: Muswell Hillbillies (1971)
L
4:04Liam PorterHOST
So yeah, last series towards the end, you were telling me there was increasing tension between the record company and Ray Davies.
L
4:12Liam PorterHOST
Ray Davies wanted to make albums like Village Green Preservation Society, and the record label just wanted them to be hitmakers like they used to be.
L
4:21Liam PorterHOST
He really didn't mind alienating the mainstream to pursue his own peculiar interests.
A
4:26Adam SmithHOST
Yeah.
26 MINS LATER
A
30:20Adam SmithHOST
Lola, the single, was a huge commercial hit.
A
30:23Adam SmithHOST
They were back to in the US.
A
30:24Adam SmithHOST
They built up a head esteem of being a current happening band again so they had the leverage to dump their old record label pie hadn't treated them that well because they weren't really an album label and they wanted to be an album band or raided so an rca it was kind of like we will let you be an album band you have complete creative freedom
L
30:42Liam PorterHOST
how many albums will they go on to make with this label