Mobile Fidelity Sound Lab

And you can hear that.

And I just got the remaster to the remaster to the new Mobile Fidelity 1984 and like Girl Gone Bad, you know, when it goes into Ed Solo and Mike's just keeping right up with Ed and doing all kinds of cool stuff and to be able to actually hear that now.

You know, it's still not as clear as it could be.

Because it's a remaster, not a remix.

And I grew in the industry.

And a lot of the wonderful people I've met and worked with, and I still do, like Stoughton Printing, RTI, Fidelity, those are relationships that's been curated, developed, you know, Starting from my dad

in

the late 80s and early 90s.

And I can't speak for other labels because I don't know what their inner workings are.

But one of the things that I work really closely with my team, and it's not just my internal team of Robert Slager, my art director, Bob Donnelly, you know, who selects most of our titles, but it's also our QC director.

It's our external family, like RTI, Fidelity, you know, Stoughton.

So...

But Maldred's always kind of been one too that kind of fluctuates in the six to... nine or ten area I got nothing but love for this I like this record a lot and I have an OG of this one and I got the Lion and the Witch EP

see okay so I don't I don't have an OG but I do have it on vinyl and I also but I and I do have the Lion and the Witch EP I do have that EP I do have that Mofi yes I do have that one good girl I didn't listen to it this week because I just didn't I just didn't have time there's so much fucking shit to listen to plus podcasts on top of it

I think I might have listened to every single Weezer thing that I own.

Yeah, I didn't listen to any of my singles.

Dark chocolate, sea salt caramels.

So Mobile Fidelity opened a candy

store? Is that what's going on?

No, courtesy of MoFi.

What Ineos claims for the Fenix is that its power supply was designed in partnership with Dr. Shawn Jacobs, the same engineer behind the power supply and the chassis.

fourth is going to be the outputs you get rca and xlr with balanced xlr connection the signal runs down two connectors and one of them is going to be flipped upside down when your amp puts them back together any noise the cable picked up along the way is going to be cancelled out if your amp has xlr inputs that's a strong reason to lean towards that phoenix and it really helps out the long cable runs as well As for how I listened today, my main setup was with the Luxman L509Z integrated amp, driving MoFi SourcePoint V10 Master Edition speakers, as well as CSS3TDX speakers.

If you've already watched some of my reviews on these, you kind of know how I feel about them.

Andrew Jones put five 10-inch cones in each cabinet, three active, two passive radiators, with a tweeter sitting inside the mid-range cone so everything leaves from one point in space.

But so...

As the technology increased, I think the sound quality and you get the lossless tossed in there now with the stuff, and they've got the SA, the super CDs now as well, which are supposed to rival MoFi recordings in their capability in mix and sound.

So the warmth is going to be there, and I'm going to be a record guy.

I'm not, I personally am not going to go out and buy a CD player.

He also explained the benefits of half-speed remastering.

He recalled first encountering the technique in the 1980s through American audiophile labels like Mobile Fidelity Sound Lab.

He described introducing the technique at several studios throughout his career.

Whilst convinced of the sonic benefits, he admitted that listening to music played at half speed during the mastering process makes for a painstaking day at work.

Whoa!

And it's mobile fidelity.

We're breaking history.

Jason is saying two positive things in a row.

I was thrilled to see that she's going to be there.

And there's just so many on that list.

I'm looking forward to, I think somebody from Mobile Fidelity or Music Direct will be there.

I'd love to see who shows up and go say hi to them and Just a lot of those companies.

The album was Kamakiriad, and that was Tomorrow's Girls.

Just recently remixed, remastered, reissued from Mobile Fidelity, sounding very, very nice.

In front of that, Don Was and the Pan Detroit Ensemble.

Their new album is a live version of the Grateful Dead's Blues for Allah.