Marshall Amplification
species of annelidwww.marshall.com
108
MENTIONS
28
EPISODES
25
PODCASTS
Search complete. 108 mentions across 28 episodes found for "Marshall Amplification".
Oct 27, 2026
Jon GundryHOST
Yeah, Blackstar.
Jon GundryHOST
They had a guy from Marshall.
Jon GundryHOST
They had the guy from the founder of Tube Amp Doctor.
Jon GundryHOST
Right.
Jon GundryHOST
You know, it's a heavy-duty, tighter spec 12AX7.
Jon GundryHOST
You can get one from the Tube Amp Doctor.
Jon GundryHOST
And the guy from Marshall, they had there as well.
Jon GundryHOST
And they talked about all this.
Randy BachmanSOUNDBITE_SPEAKER
You know what I mean? An acoustic guitar.
Randy BachmanSOUNDBITE_SPEAKER
But the whole band is like Marshall Amps and Gibsons and Fenders.
Randy BachmanSOUNDBITE_SPEAKER
It's the guys from the 70s bands who have survived who are in Nashville writing.
Randy BachmanSOUNDBITE_SPEAKER
I've got to tell you, downtown Nashville is just incredible.
Episode 61 - Trading Riffs in a World-Class Studio
Oct 26 · 19 Mentions
Top 10%Jared James NicholsHOST
Wait, these tracks are free?
Tyler LarsonHOST
Sign up for the No Cover Charge app at nocovercharge.com. Everything's rolling in the Marshall Studio.
Tyler LarsonHOST
Oh, I was going to say, where are we? We are in the Marshall Studio in Milton Keynes.
Tyler LarsonHOST
Who do we have as the rhythm section? I was going to swear.
Tyler LarsonHOST
Who's that? We got Brian and Ryan, your rhythm section and your band.
Jared James NicholsHOST
A bunch of times.
Jared James NicholsHOST
About to be one more.
Jared James NicholsHOST
We were here at Marshall.
speaker_0HOST
Where did we
Steve AtkinsonGUEST
go, man? So, uh, let's see the, uh, after the spider, it was a, it was a Marshall half stack.
Steve AtkinsonGUEST
I was, uh, I was like really into like listening to Joe Satriani.
Steve AtkinsonGUEST
Couldn't play like him still can't play like him.
Steve AtkinsonGUEST
But I saw the Marshalls and I was like, wow, that sounds so cool.
Steve AtkinsonGUEST
I've got to have one of them.
Steve AtkinsonGUEST
But you take that and you kind of square it against a student's budget.
Steve AtkinsonGUEST
And so I just went out looking for whatever had Marshall written on it.
Kirk WindsteinGUEST
No.
Kirk WindsteinGUEST
I mean, my first real amp, I think, was the, what is it, JMP.
Kirk WindsteinGUEST
Oh, yeah.
Kirk WindsteinGUEST
2204 or
Kirk WindsteinGUEST
But yeah, that was my first.
Kirk WindsteinGUEST
But then when I discovered the JCM800, I really did like it more.
Kirk WindsteinGUEST
I know the JMP's more retro.
Kirk WindsteinGUEST
But, you know, and for some guys that works, like with down, we're pretty clean on the tones, you know.
Roger EarlGUEST
That was great, except...
Roger EarlGUEST
the Marshall amplifiers all crapped out on us after that third song.
Roger EarlGUEST
Our guitar tech, Bull, was scrambling all over the place.
Roger EarlGUEST
I got up and spoke to the audience for a while.
Roger EarlGUEST
I said, Marshall amps, they were built just down the road in Ealing, and now they decided to crap out.
Roger EarlGUEST
But Bull, our guitar tech, got up and... got him eventually working again.
Roger EarlGUEST
That was the only downside.
FlavHOST
And then it was the time I went there was I interviewed Jim Marshall because his factories were there, weren't they? Yeah, literally, yeah.
FlavHOST
Marshall Amps.
FlavHOST
So I was like 15, 16.
FlavHOST
I went and interviewed him for a radio show that I was working on.
Mick SmithHOST
That solo is worth examining for a moment.
Mick SmithHOST
Page plays it on a 1959 Gibson Les Paul Standard through a Supra Amplifier, not his usual Marshall rig, which gives it an unusual, slightly compressed tone.
Mick SmithHOST
The solo builds and phrases, each one slightly longer and more intense than the last, climbing the neck in a way that mirrors the song's lyrical ascent from whimsy to something more cosmic.
Mick SmithHOST
Page has said he wrote this in one spontaneous pass in the studio, never changed a note, and rarely played it in the same way twice in concert.
19 MINS LATER
Mick SmithHOST
His entire physical approach to the instrument was unprecedented.
Mick SmithHOST
He held the guitar horizontally, almost across his chest, in a position that looked wrong but enabled the tapping technique.
Mick SmithHOST
He developed his own pickup designs, working with Seymour Duncan and later building his own guitars, the Frankenstrats, assembled from parts of various instruments and modified extensively with his own amplification, using a modified Marshall amp run through an attenuator to get the amp's full distortion at lower master volumes.
Mick SmithHOST
The tone he achieved, warm, Harmonically rich with a brown sound that players spent decades trying to replicate was the result of years of obsessive experimentation.
Joe RileyHOST
move on to Lemmy's bass rig, his playing style, and his tone.
Joe RileyHOST
So he used Marshall Amplification 1992 JMP Super Bass Mark II bass stack from 1976, or in 1976.
Joe RileyHOST
And then he also used a 4x15 and a 4x12 cabinet.
EdGUEST
So is that two units you just described?
Joe RileyHOST
I just described two units in the cabinets.
Joe RileyHOST
And then in 2008, Marshall issued a model dedicated to Lemmy in the 1992 LEM, which was available with the same cabinets that Lemmy used.
Joe RileyHOST
So they just modified shit for them.
EdGUEST
Okay.
Brian WamplerHOST
Yes, should be here any day.
Brian WamplerHOST
Yeah, it is a JMP.
Brian WamplerHOST
Started its life, and I forget what year it actually started, 70s maybe?
Richard OliverHOST
So I was confused about what year your amp was, because the range was 74 to 87.
18 more episodes mention Marshall Amplification.
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