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Hogarth Press

Hogarth Press

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Search complete. 6 mentions across 5 episodes found for "Hogarth Press".

Oct 19, 2026

Tim AllenHOST
28:28
Authors' collectives are not a new thing.
Tim AllenHOST
28:30
One thinks of the Bloomsbury Group or the Hogarth Press or any number of authors who've come together with a common goal...
Tim AllenHOST
28:40
Have you a sense of attachment to any of those collectives which have gone before you? Or is the idea of the authors' collective now to be obviously forward-looking, but fresh and new and different?
Candida CreweGUEST
28:55
That's a very good question.
Lucy H. PearceHOST
27:11
And I love the fact that she did it with her husband, which is what I'm doing with mine.
Lucy H. PearceHOST
27:15
And so to me, that felt very special that the Hogarth Press that they set up together and that they used to publish her books, as well as other people who excited them in that little area.
Lucy H. PearceHOST
27:26
So I love that.
Lucy H. PearceHOST
27:27
I always kind of go and try and kind of suck it up by osmosis and also give my thanks to them for the courage that they they had at that time to do that.
Ruby HartHOST
10:03
In 1917, they bought a small hand-operated printing press.
Ruby HartHOST
10:08
What began as a shared occupation became the Hogarth Press, named after their home.
Ruby HartHOST
10:14
Printing involved setting individual pieces of type, checking proofs, producing pages, and binding the finished copies.
Ruby HartHOST
10:22
For Virginia, words were now physical objects as well as vehicles for thought.
Ruby HartHOST
12:51
The uncertainty was deliberate.
Ruby HartHOST
12:53
Readers had to participate in assembling a life while recognizing that some parts would remain inaccessible.
Ruby HartHOST
13:01
The Hogarth Press also became an important outlet for other innovative writing, publishing T.S. Eliot's The Waste Land in book form in nineteen twenty-three.
Ruby HartHOST
13:11
Virginia and Leonard were participating in a wider transformation of literature, even as her own voice became increasingly recognizable.
speaker_0HOST
37:57
Oh, that makes sense.
speaker_1HOST
37:58
With artists like Francis Cugat or Vanessa Bell, who designed the striking modernist jackets for Virginia Woolf's Hogarth Press, the wrapper transformed from literal trash into a vital piece of modern art and marketing.
speaker_0HOST
38:10
And we see that with Virginia Woolf's Jacob's Room on the list going for $125,000, and Dashiell Hammett's The Maltese Falcon at 136,000.
speaker_0HOST
38:19
In both cases, the seller specifically emphasizes the presence of an unrestored dust wrapper.
John BoyneGUEST
12:20
And, [laughs] you know, that he's sitting there.
John BoyneGUEST
12:22
He's, he's trying to get them to publish, um, an old Bosie manuscript on the, on the Hogarth Press, and every line that comes out of her mouth is just nuts, I think.
John BoyneGUEST
12:30
And I had a lot of fun doing that.
Oliver CallanHOST
12:32
You had a lot of fun.

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