Fostex
Fostex is a Japanese audio equipment manufacturer that produces headphones and earphones, speaker systems and speaker drivers, DACs and headphone amplifiers, and microphones.www.fostex.com
11
MENTIONS
9
EPISODES
9
PODCASTS
Search complete. 11 mentions across 9 episodes found for "Fostex".
Oct 11, 2026
Film Photography Podcast – Episode 389 - J.R. Bookwalter Part 2
J
13:23J.R. BookwalterGUEST
Yeah.
J
13:24J.R. BookwalterGUEST
Then later, there was a period of time where I had an eight-track reel-to-reel Fostex setup.
S
13:30speaker_4SOUNDBITE_SPEAKER
Oh.
J
13:30J.R. BookwalterGUEST
Yeah.
From Brothers to Strangers w/ DJ Shiva | Ep. 26 | Mindset & Madness Podcast
S
22:52ShivaGUEST
right here.
S
22:53ShivaGUEST
It's called a four-track by Fostex.
S
22:55ShivaGUEST
This is...
S
22:56ShivaGUEST
Everybody's want to know how FBM used to make their mixes.
S9E486 - The Congos 'Heart Of The Congos' with Skip Heller
S
67:16Skip HellerGUEST
I don't think there's anything on this record, because remember, you know, this record was made on some Flintstones equipment.
S
67:25Skip HellerGUEST
This is a four-track Fostex with, you know, what catches catch can signal processing.
S
67:33Skip HellerGUEST
And it's the same with Joe Meek.
S
67:35Skip HellerGUEST
When you see how deliberate his record-making strategies were.
#46 - Nate Farley
N
19:02Nate FarleyGUEST
I played bass and guitar on it.
N
19:03Nate FarleyGUEST
We did it at my dad's house on, like, a Fostex, or on a Tascam four-track.
W
19:07WillHOST
Of course.
D
19:08DanHOST
Mm-hmm.
N
19:22Nate FarleyGUEST
They gave it to you in shop class.
D
19:24DanHOST
That's how-
N
19:26Nate FarleyGUEST
Um, um, I had f- I had a Fostex four-track, and I think my dad had a Tascam, which was slightly nicer, so-
D
19:31DanHOST
[laughs]
Chris Collier: Earning Creative Freedom
C
7:11Chris CollierGUEST
Cause I had worked, my dad had an old like, he had a studio in the house when I was growing up.
C
7:16Chris CollierGUEST
He had an old Fostex 16 channel, a 16-channel reel-to-reel half-inch machine, and I learned on that.
C
7:23Chris CollierGUEST
And, you know, Tannoy studio monitors, which I blew up because I didn't know how low-end worked and all this stuff.
C
7:28Chris CollierGUEST
And, you know, so I came from the analog side.
Buddy Miller
B
33:59Buddy MillerGUEST
That's how we would demo Julie's songs, and that's how we basically would get recording.
B
34:07Buddy MillerGUEST
I eventually found a way of just playing every night and doing what I could to save up and get a, I think it was a Fostex 8-track.
B
34:15Buddy MillerGUEST
8-tracks on a quarter-inch tape.
C
34:17Craig HavighurstHOST
Yeah.
Blast From the Past! - Chris Shiflett
B
16:45Brad WorrellHOST
Legion of Doom didn't get to, didn't get to record in a, in a shitty recording studio.
C
16:50Chris ShiflettGUEST
No, but Legion of Doom did make a really shitty Fostex four track demo.
C
16:55Chris ShiflettGUEST
Nice.
C
16:55Chris ShiflettGUEST
I do remember that.
Maggie Siebert of MOUTHS AGAPE
M
38:20Maggie SiebertGUEST
Actually, no, after that, because this album was recorded mostly in 2024, like October 24, and it took a while for it to come out, which I'm kind of happy with, honestly, that it marinated for a little bit.
M
38:36Maggie SiebertGUEST
But... after that I was using, um, like a Fostex, like digital multi tracker.
M
38:42Maggie SiebertGUEST
And that piece of gear had like a lot of really interesting, like cut up possibilities with it.
M
38:48Maggie SiebertGUEST
Um, where you could do a lot of really interesting, um, just nasty, like digital stuff.
Lizzy McAlpine summons Nick Drake & Joni Mitchell
M
6:22Mason StoopsGUEST
The album wouldn't have been the same because the album initially was gonna be...
M
6:26Mason StoopsGUEST
I had a little Fostex tape machine that I loved and a, a $500 Mackie board that me and Jesse had hot-rodded, or mostly Jesse, and I watched him.
L
6:37Lizzy McAlpineGUEST
[laughs]
M
6:37Mason StoopsGUEST
And the record was gonna be so cool 'cause it was just gonna be the three of us in that little studio just really leaning into Lizzy's incredible guitar playing and Taylor's incredible piano playing and my incredible pushing the record button on the Fostex.
L
6:53Lizzy McAlpineGUEST
[laughs]
M
6:54Mason StoopsGUEST
And that was gonna be the record, and that was a really stressful day.