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Duke University Press

Duke University Press

Duke University Press supports scholars in doing what they are passionate about: learning, teaching, and effecting positive change in the world. This bold, progressive spirit drives both what and how we publish. Each year we publish over 120 new books, more than 50 journals, and multiple digital collections that transform current thinking and move fields forward. Our work supports Duke University’s mission to advance the frontiers of knowledge and contribute to the international community of scholarship. Originally founded as Trinity College Press in 1921, we became Duke University Press in 1926. The Press is located in Durham, North Carolina in the United States.www.dukeupress.edu

Search complete. 22 mentions across 18 episodes found for "Duke University Press".

Sep 21, 2026

Matt SeyboldHOST
4:33
And Lauren Emmy Goodlatte is Distinguished Professor of English at Rutgers University and the Chair of Rutgers Interdisciplinary Initiative in Critical AI, co-organized by the Center for Cultural Analysis and the Center for Cognitive Science.
Matt SeyboldHOST
4:47
She is also the founding editor of the Critical AI Journal, published by Duke University Press.
Matt SeyboldHOST
4:53
And her long record of scholarship in Victorian literature and culture includes the Victorian geopolitical aesthetic and Victorian literature in Victorian
Jeff JarvisGUEST
5:02
state.
Laura Portwood-StacerGUEST
21:33
But it's like, just not even fitting in boxes.
Laura Portwood-StacerGUEST
21:36
So, you know, like Duke University Press, University of Minnesota Press kind of stick out to me as two publishers that are like that.
Laura Portwood-StacerGUEST
21:44
So, you know, those publishers aren't necessarily going to be so worried about you fitting into a disciplinary box.
Laura Portwood-StacerGUEST
21:52
But then for the other publishers, you know, again, it's about the audiences that they've cultivated.
Laura Portwood-StacerGUEST
22:01
But it's like, just not even fitting in boxes.
Laura Portwood-StacerGUEST
22:05
So, you know, like Duke University Press, University of Minnesota Press kind of stick out to me as two publishers that are like that.
Laura Portwood-StacerGUEST
22:13
So, you know, those publishers aren't necessarily going to be so worried about you fitting into a But then for the other publishers, you know, again, it's about the audiences that they've cultivated.
Laura Portwood-StacerGUEST
22:27
So, you know, if they're very strong in one particular field, your job isn't necessarily to say, like, I'm the best, most, you know, orthodox member of this field with this book, but it's to really show what your book has to contribute to that field, even if the book itself, like its DNA is interdisciplinary.
Doug HenwoodHOST
27:50
Heather Berg was on this show in 2022 to discuss her book Porn Work, which covers relations of production in the world of commercial erotica.
Doug HenwoodHOST
27:57
She's just out with a new book, Notes from the Sex Worker Left, Lumpen Theory, published by Duke University Press.
Doug HenwoodHOST
28:04
It's a look at how that oft-maligned group thinks and talks about politics, from their view of the family, negative, and the state, also negative, to how they conceive of solidarity and care, positive.
Doug HenwoodHOST
28:15
Heather teaches labor studies and gender studies at UCLA.

11 MINS LATER

Heather BergGUEST
39:42
That's not so interesting to me and to the thinkers that I'm most engaged with in the book.
Heather BergGUEST
39:46
Instead, from the perspective of this kind of lump and insurgency, it's about leaning into that and saying, yes, this pathology under the terms of a rotten system is something to be embraced and theorized from rather than disidentified with.
Doug HenwoodHOST
40:03
I'm speaking with Heather Berg, author of Notes from the Sex Worker Left, Lumpen Theory, from Duke University Press.
Doug HenwoodHOST
40:10
Many sex workers are refugees in their homes and are basically family abolitionists.
Chuck KlostermanGUEST
18:19
Sometimes, you know, I use my own self as an example because there's no way around it.
Chuck KlostermanGUEST
18:23
Well, I just kind of, I just send the book kind of cold to university presses, like the Harvard university press, Yale university press and Duke university press.
Chuck KlostermanGUEST
18:34
And I get an awesome letter back from this woman from Columbia.
Chuck KlostermanGUEST
18:38
Uh, she, she's like, well, I can't publish this book because you swear too much in it.
Laura Portwood-StacerGUEST
18:03
But it's like, just not even fitting in boxes.
Laura Portwood-StacerGUEST
18:07
So, you know, like Duke University Press, University of Minnesota Press kind of stick out to me as two publishers that are like that.
Laura Portwood-StacerGUEST
18:15
So, you know, those publishers aren't necessarily going to be so worried about you fitting into a But then for the other publishers, you know, again, it's about the audiences that they've cultivated.
Laura Portwood-StacerGUEST
18:29
So, you know, if they're very strong in one particular field, your job isn't necessarily to say, like, I'm the best, most, you know, orthodox member of this field with this book, but it's to really show what your book has to contribute to that field, even if the book itself, like its DNA is interdisciplinary.
Laura Portwood-StacerGUEST
21:03
But it's like, just not even fitting in boxes.
Laura Portwood-StacerGUEST
21:07
So, you know, like Duke University Press, University of Minnesota Press kind of stick out to me as two publishers that are like that.
Laura Portwood-StacerGUEST
21:15
So, you know, those publishers aren't necessarily going to be so worried about you fitting into a But then for the other publishers, you know, again, it's about the audiences that they've cultivated.
Laura Portwood-StacerGUEST
21:29
So, you know, if they're very strong in one particular field, your job isn't necessarily to say, like, I'm the best, most, you know, orthodox member of this field with this book, but it's to really show what your book has to contribute to that field, even if the book itself, like its DNA is interdisciplinary.
Laura Portwood-StacerGUEST
21:03
But it's like, just not even fitting in boxes.
Laura Portwood-StacerGUEST
21:07
So, you know, like Duke University Press, University of Minnesota Press kind of stick out to me as two publishers that are like that.
Laura Portwood-StacerGUEST
21:15
So, you know, those publishers aren't necessarily going to be so worried about you fitting into a But then for the other publishers, you know, again, it's about the audiences that they've cultivated.
Laura Portwood-StacerGUEST
21:29
So, you know, if they're very strong in one particular field, your job isn't necessarily to say, like, I'm the best, most, you know, orthodox member of this field with this book, but it's to really show what your book has to contribute to that field, even if the book itself, like its DNA is interdisciplinary.
Chuck KlostermanGUEST
44:44
And I had the 100 pages, and I was like, "Well, I've seen books worse than this," [laughs] or whatever, "so I'm gonna see what happens.
Chuck KlostermanGUEST
44:49
I'm gonna send this to, like, Duke University Press." I didn't know agents or anything, you know.
Chuck KlostermanGUEST
44:53
Harvard University Press.
Chuck KlostermanGUEST
44:54
Just sent to academic presses, and I got a letter back from a woman at Columbia, and I, I just, I really wish I had this letter 'cause I'd love to contact her.
Chris MolanphyGUEST
21:28
Thank you.
Chris MolanphyGUEST
21:29
Part of the Duke University Press single series.
Chris MolanphyGUEST
21:32
You know, I often tell the story that it wasn't my idea to write the book.
Chris MolanphyGUEST
21:35
I was approached by Duke University Press to write the book because I had written so much about Old Town Road in 2019 when it was setting all those chart records.
Chris MolanphyGUEST
21:43
And it belatedly occurred to me that Old Town Road was a perfect prism to talk about the history of the charts, genre, race and genre, so many aspects that we, you know, LGBTQ identity and hit making.
Chris MolanphyGUEST
21:57
It all filters through this one record, which, by the way, it started out as a pretty great record when it was just Lil Nas X and the Billy Ray Cyrus verse only improved it.

8 more episodes mention Duke University Press.

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