Skip to main content
Clemenger Group

Clemenger Group

Company

Search complete. 10 mentions across 5 episodes found for "Clemenger Group".

Sep 23, 2026

Tom OpieGUEST
5:37
Yeah.
Andy ScottHOST
5:38
From junior copywriter at Clemenger to globetrotting creative director, you have earned some serious silverware along the way, as I've mentioned in the intro.
Andy ScottHOST
5:48
On your LinkedIn profile, you say, I'm passionate about the in-house agency world and building creative teams that go beyond marketing, using creativity to solve problems and create impact business-wide.
Andy ScottHOST
6:00
When did you realise you had creative urges and that maybe there was a living to be made from it?
Tom OpieGUEST
7:22
So I actually started at Clems as an account coordinator.
Tom OpieGUEST
7:25
I reached out to Kim Bowen a bunch of times and said, oh, would you have any time to have a coffee and kind of catch up? And he was nice enough to do that.
Andy ScottHOST
7:33
Just for the listeners, Kim Bowen was the managing director and executive chairman at Clemenger BBDO Adelaide.
Tom OpieGUEST
7:40
Yeah, yeah, yeah, yeah.
Alan HartHOST
0:29
named AdAge's In-House Agency of the Year, and has been behind some of Amazon's most beloved work, including the iconic Granny Sledding ad and the global It's On Prime platform.
Alan HartHOST
0:41
She grew up in rural Australia and has held creative leadership roles at IPG, Leo Burnett, and Clemenger BBDO.
Alan HartHOST
0:49
Today on the show, we talk about how to protect and teach human creativity in an AI native world, what it means to be both a builder and a curator, and whether the future belongs to specialists, generalists, or simply the curious.
Alan HartHOST
1:03
That and much more with Joe Shoesmith.
Jo ShoesmithGUEST
3:28
And I turned up to university in Melbourne to study art.
Jo ShoesmithGUEST
3:32
What was ultimately going to be fine art, I didn't really know what I wanted to do and I stumbled into this thing called advertising and I've always loved team sports and advertising to me felt very much like that because you have copywriters working with art directors, working with photographers and I really loved the speed with which you make ads versus what can be the isolation and slowness with which you make art and so Followed that pursuit, got my first job in Melbourne at Clemen de Bibidio where I was really fortunate to have a lot of great mentors who taught me a lot and I really kind of got that foundation of what it meant to work in the industry and what the culture of the industry was like.
Jo ShoesmithGUEST
4:09
went from Clemenger to Leo Burnett, which ironically was two buildings down the road in Melbourne.
Jo ShoesmithGUEST
4:14
So I packed up my box and walked two buildings down the road.
Alan HartHOST
0:29
named AdAge's In-House Agency of the Year, and has been behind some of Amazon's most beloved work, including the iconic Granny Sledding ad and the global It's On Prime platform.
Alan HartHOST
0:41
She grew up in rural Australia and has held creative leadership roles at IPG, Leo Burnett, and Clemenger BBDO.
Alan HartHOST
0:49
Today on the show, we talk about how to protect and teach human creativity in an AI native world, what it means to be both a builder and a curator, and whether the future belongs to specialists, generalists, or simply the curious.
Alan HartHOST
1:03
That and much more with Joe Shoesmith.
Jo ShoesmithGUEST
3:28
And I turned up to university in Melbourne to study art.
Jo ShoesmithGUEST
3:32
What was ultimately going to be fine art, I didn't really know what I wanted to do and I stumbled into this thing called advertising and I've always loved team sports and advertising to me felt very much like that because you have copywriters working with art directors, working with photographers and I really loved the speed with which you make ads versus what can be the isolation and slowness with which you make art and so Followed that pursuit, got my first job in Melbourne at Clemen de Bibidio where I was really fortunate to have a lot of great mentors who taught me a lot and I really kind of got that foundation of what it meant to work in the industry and what the culture of the industry was like.
Jo ShoesmithGUEST
4:09
went from Clemenger to Leo Burnett, which ironically was two buildings down the road in Melbourne.
Jo ShoesmithGUEST
4:14
So I packed up my box and walked two buildings down the road.
Stephanie CoombesHOST
2:28
So what inspired that decision?
Andy DinanGUEST
2:31
Well, in my youth, I had a public relations company, which I built up and then I sold some 30 years ago to an advertising agency, the Clemenger Group.
Andy DinanGUEST
2:42
And I retired and I hired an art consultant and I started collecting art.
Andy DinanGUEST
2:48
And as I'd go around the galleries, it was this real kind of pretty woman, you're too young to know, but there was a movie called Pretty Woman with a woman who got money and suddenly no one would help her.
Eleanor DickinsonPANELIST
10:47
Nothing to do with their trajectory.
Eleanor DickinsonPANELIST
10:49
Danny Basil comes into the business, and she brings this absolute muster of a stellar team with her from Clemenger.
Tim BurrowsHOST
10:54
And she...
Tim BurrowsHOST
10:54
Yeah, she'd come over from the Omnicom Group.
Eleanor DickinsonPANELIST
10:56
Yeah.
Eleanor DickinsonPANELIST
10:56
From Clemenger BBDO.
Eleanor DickinsonPANELIST
10:57
So she brings with Anita, she brings Simon Waser, who's the chief strategy officer, and they form a, a sextet who are going to, alongside an investment company called Park, buy the Australian brand of M&C Saatchi.
Tim BurrowsHOST
11:13
So in other words, a management buyout.

We value your privacy

We use cookies to understand how you use our platform and to improve your experience. Click “Accept All” to consent, or “Decline non-essential” to opt out of non-essential cookies. Read our Privacy Policy.