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Celemony

Celemony

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Search complete. 43 mentions across 22 episodes found for "Celemony".

Sep 28, 2026

SemtexGUEST
19:56
the thing is, if you're a singer and you've used auto-tune, you've used some kind of AI.
SemtexGUEST
20:00
Like, if you're a singer that can't sing and you're hiding behind Melodyne or auto-tune or pitch correction or whatever, you've used AI.
SemtexGUEST
20:08
Like, you've... exaggerated your voice.
SemtexGUEST
20:14
That's a diplomatic way of putting it, right? But you AI'd
Tom FoxGUEST
13:54
It's below, it's flat, or it's slightly sharp, but the whole take is absolutely amazing.
Tom FoxGUEST
14:01
And I mean, Melodyne, you just pull it in.
Tom FoxGUEST
14:03
I'd rather do that than if they've got a take earlier where they're holding back a little bit to be able to get them notes more in tune.
Tom FoxGUEST
14:09
It doesn't sound as good.
Tom FoxGUEST
14:15
So yeah, I'd rather repair a vocal if it's got that energy and if it sounds believable.
Tom FoxGUEST
14:22
I think it's the right way to go.
Tom FoxGUEST
14:23
But obviously you don't want to be constructing a take with Melodyne, but I think it's brilliant for repairing and situations like that.
AshayaHOST
14:30
Yeah, absolutely.
Ori RoseGUEST
37:09
you know it's not that the production isn't important but vocal production is king yeah for sure
Justin GammellaHOST
37:16
So like are you using tools like Vocaline, Melodyne, you know, whatever tools that are in Logic to like not only get the vocals to be really tight, which is super important, but also like speed and efficiency for like doing this every day.
Ori RoseGUEST
37:29
Yeah.
Ori RoseGUEST
37:29
So my process is usually like I'll do leads first.

9 MINS LATER

Justin GammellaHOST
46:23
Yeah, which – ugh.
Justin GammellaHOST
46:25
Like, that's the one thing that, like, again, like, I love every DAW for very different reasons.
Justin GammellaHOST
46:30
But the one thing that Pro Tools has is, like, the audio suite, and now ARA has gotten really great with, like, so many fucking things, especially, like, Melodyne.
Justin GammellaHOST
46:37
Man, not having to record shit in is,
Jon MarksonGUEST
29:06
I do it all by hand.
Jon MarksonGUEST
29:07
Almost every single vocal I've ever done, I'm doing with Melodyne and doing by hand.
Jon MarksonGUEST
29:11
And that's just to preserve when stuff is supposed to feel sharp, when stuff's supposed to feel flat, when stuff's supposed to rub, when stuff is supposed to be deliberately executed a certain way, and I just don't want it to be blanket globbed into a certain direction.
Jon MarksonGUEST
29:25
Okay.
speaker_0HOST
7:37
and I am loving, and I'm able to just listen to the song.
speaker_0HOST
7:40
But when everything is just a little bit off in terms of timing and or tuning, if you can just tighten up the tuning on that vocal just a little bit, if it's just slightly flat and you just pull it up to the right note, if you have good transparent vocal tuning like re-pitched by Synchro Arts or Melodyne or even Flex Pitch and Logic is great.
speaker_0HOST
7:56
If you have transparent vocal tuning and you were very close on those notes, just tightening up a little bit, all of a sudden, I'm not at all thrown by slightly off notes.
speaker_0HOST
8:05
If it was the right take, where's the right character, the right performance, I can save the right take, where's the right emotion with just a little bit of vocal tuning, right? And the whole idea here is I'm not making that bad vocal sound good.
Al MelchiorHOST
6:20
[laughs]
Jorina StammGUEST
6:20
It's, it's very, like the, the, the fact that she, she wanted to do it more electronic, but then decided to, "I'm not gonna have any Melodyne on it, and, um, have real singers sing all of it," was very interesting for, like, the third and fourth and fifth time to, to listen to the album.
Jorina StammGUEST
6:40
'Cause I didn't notice this stuff.
Jorina StammGUEST
6:42
I just thought it was very good.
Dan NigroGUEST
13:11
And so I ended up having to tune every other instrument to the guitar and the vocal because I didn't wanna mess with it.
Dan NigroGUEST
13:22
When I played the piano, because the piano was actually in tune, I had to Melodyne the piano to be in tune with the guitar.
Dan NigroGUEST
13:31
I think the next thing I added to the song was the Juno bass.
Dan NigroGUEST
13:38
I wanted it to feel really intense.
VancePANELIST
112:00
And she laid the vocals.
VancePANELIST
112:03
and Melodyne them in less than 15 minutes I was like me how does she do it like that so I'm and I was uh patting myself on the back last night because I've been since you started the Melodyne class I've been practicing with my vocals and last night you know those um moments in your music, in your understanding of plug-ins, in your understanding of mixing and mastering, when you reach that little point where you can see a level improvement, and that's where I was at about 3.30 this morning, 3 a.m. this morning.
VancePANELIST
112:37
I said, wow.
VancePANELIST
112:39
It was like effortless, you know, and everything I touched and I split with Melodyne thinking about watching you do it and going back to the lessons you were giving, and it was working for me, and I was like, ha! I was like, I thought I was the shit this morning at 3 a.m.
VancePANELIST
112:55
But it's getting done.
VancePANELIST
112:56
But it's not as fast as I need it to be done for.
RoelGUEST
18:36
So that one works.
RoelGUEST
18:38
Melodyne works.
RoelGUEST
18:38
That's a big one.
RoelGUEST
18:40
I paid for that.
Jason OberholzerPANELIST
4:44
This is what you get when you are a member of Never Post.
Jason OberholzerPANELIST
4:51
I'm going to open standalone Melodyne to figure out how to delete yogurt from this.
Jason OberholzerPANELIST
4:58
Never Post executive producer, Jason Oberholzer.
Jason OberholzerPANELIST
5:00
I'm an adult and I read my paper yesterday.

12 more episodes mention Celemony.

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