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Boston Ballet

Boston Ballet

Since 1963, Boston Ballet’s internationally acclaimed performances of classical, neo-classical, and contemporary ballets, combined with a dedication to world-class dance education and community engagement, have made the institution a leader in its field, with a 61-year history of promoting excellence and access to dance. Under the leadership of Artistic Director Mikko Nissinen and Executive Director Ming Min Hui, the Company, made up of 67 dancers and 14 nationalities, performs a diverse and acclaimed repertoire ranging from full-length classical ballets to masterworks by George Balanchine, and new works and world premieres by today’s finest contemporary choreographers. The New York Times hailed Boston Ballet’s repertoire as “one of the most eclectic in the country,” and as having dancers that are “striking by national and international standards.” Boston Ballet's second company, Boston Ballet II, gains experience performing with the Company and independently. Boston Ballet School, the official school of Boston Ballet, has a long-standing dedication to providing exceptional dance education and ballet training to students across three studios in Boston, Newton, and Natick. The School reaches more than 5,000 students (toddler to adult) each year through its core programs: Graduate Program, Professional Division at Walnut Hill, Classical Ballet Program, Children’s Program, Adaptive Dance Program, and Adult Dance Program. Boston Ballet School also operates community education and arts experiences around Boston and beyond, providing programming, events, and activities that connect the community to dance. Community programs reach more than 4,000 individuals in Boston and the surrounding region each year through Citydance, workshops, and trainings.www.bostonballet.org

Search complete. 15 mentions across 8 episodes found for "Boston Ballet".

Sep 26, 2026

Emily Ash LambGUEST
5:06
I danced at Marin Ballet for a while.
Emily Ash LambGUEST
5:08
I would go back to Boston Ballet in the summers and train with them.
Emily Ash LambGUEST
5:12
I kind of liked that discipline and I found that the restaurant world kind of mimicked that.
Emily Ash LambGUEST
5:18
Like it had a theatrical aspect, which I loved.
James WhitesideHOST
0:41
I've been friends with Michael since I think 2005.
James WhitesideHOST
0:45
We were in Boston Ballet together 100 years ago and we've remained very, very good friends for a long time.
James WhitesideHOST
0:53
So I've been on their podcast many times and you may have heard Michael on my podcast.
James WhitesideHOST
0:59
So yeah, I just talk about my retirement, the announcement, what I'm working on, and just how I feel about it all.
Rebecca King FerraroHOST
3:32
And so I wonder if you could kind of like talk us through a little bit of like your process, your thought process.
Rebecca King FerraroHOST
3:37
I mean, we all know it comes one day, but what does it look like? What did that process look like for you?
James WhitesideHOST
3:44
It wasn't difficult at all, actually, for me to make this decision because, you know, back in the day when I was in my 20s in Boston Ballet, my friend Leah Serio, who's still dancing as a principal in Boston Ballet, and I would always joke that we were going to retire at 30.
James WhitesideHOST
4:02
And at the time, we weren't joking.
AnyaHOST
7:11
Certainly.
AnyaHOST
7:13
And then the next day we went to see Boston Ballet's Fall Experience.
KylieHOST
7:17
Yes.
KylieHOST
7:17
Which
AnyaHOST
7:18
was interesting.
AnyaHOST
7:18
So it was usually, if you've never been to a Boston Ballet experience, usually it's like some combination of classical and contemporary because I think they kind of try to like Give something for everybody.
AnyaHOST
7:28
Yeah.
AnyaHOST
7:29
And this time was not only all contemporary, but also had a just, like, orchestral work with no dancing.
Gillian LockitchHOST
4:15
Natasha McCalla is an international culinary consultant, a pastry chef, cookbook author, and former professional ballerina.
Gillian LockitchHOST
4:25
During a 30-year performing career, she danced with the Joffrey Ballet and Boston Ballet, and appeared in the Broadway and Los Angeles productions of The Phantom of the Opera.
Gillian LockitchHOST
4:38
She later completed intensive culinary training at the Colorado Culinary Institute, graduating first in her class, and earned a culinary gold medal as an apprentice chef with USA Team California at the 1996 Culinary Olympics in Berlin.
Gillian LockitchHOST
4:58
Known as The Dancing Chef, Natasha is the author of Vanilla Table, Spice Health Heroes, and now The Apothecary Chef.
John BoyleGUEST
32:50
Number two is, if you are a service provider, which we are, then you should be providing service in your community.
John BoyleGUEST
32:58
And so that's just, to me, there is very, very, very few people in my role that don't serve the community because the community, I'm doing something right now for the Boston Ballet.
John BoyleGUEST
33:13
It's one of the great ballets in the world.
John BoyleGUEST
33:15
I mean, it's great, but they need space.
Liza YntemaGUEST
23:48
Half went to the endowment.
Liza YntemaGUEST
23:51
Boston Ballet just announced their biggest gift ever, anonymous, $10 million.
Liza YntemaGUEST
23:56
We are seeing a radical separation.
Liza YntemaGUEST
24:00
I mean, I'm sure in your business, you're aware of the K-shaped economy.
Michael ChiklisGUEST
50:51
And he, you know, my mother and he would take me down to see the Boston Pops with Arthur Fiedler when I was a kid.
Michael ChiklisGUEST
50:57
And, you know, they'd take me to the Boston Ballet, and they...
Michael ChiklisGUEST
51:01
Like, all different kinds of...
Michael ChiklisGUEST
51:03
So it wasn't one thing or another.
Sara AdamsGUEST
3:14
And she said that if I wanted to continue on that I should go off Cape somewhere, like to keep going.
Sara AdamsGUEST
3:22
She recommended Boston Ballet.
Sara AdamsGUEST
3:24
So yeah, my mom drove me to Boston every day from Cape Cod, which was about two hours in one way and two hours the other way.
Sara AdamsGUEST
3:31
I'd have to leave school early.
Sara AdamsGUEST
3:45
And I really, really, really wanted it.
Sara AdamsGUEST
3:47
So that's kind of how it started.
Sara AdamsGUEST
3:49
I went to Boston Ballet for three years.
Sara AdamsGUEST
3:52
And then I took a summer course at the School of American Ballet.

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