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You know, I think once something gets replicated over and over again, it loses some of its heart, even though you can still see ideas and fashion of the things that we were doing, but I don't feel that the, that the essence of it is, is there.

An article came out on Artnet that talked about art and how so much of the work out there now references work before, but without any provenance, without any understanding of where it's come from.

And they showed in the photograph going with it, it looked like a giant Joseph Cornell.

I don't think the person had any idea who Joseph Cornell was.

Of roughly 266 works reported sold on day one, 54% went for between $10,000 and $100,000, and 36% sold for less than $10,000.

You can get more details on these stories on news.artnet.com. Art Market Minute is produced by Sonia Manalili and me, Margaret Kerrigan.

Thanks for listening and see you next week.

either pre or post quote-unquote zombie formalism period in person, so I'm not going to pretend that I can comment on his work per se, but I do know, and many of you know, that he was one of the most well-connected names to the sadly dubbed zombie formalism, which actually was coined by the late...

Matthew Robinson oh I'm blanking on his first name it's not Matthew but Robinson who wrote for Artnet for a number of years and was a painter himself and I know some of you are yelling at the radio your phone etc with his first name but I think you you'll figure it out soon enough Robinson is his last name in any case Getting back to Lucian Smith, so he passed earlier this month, and I'm going to actually start not with the article itself, other than what I just read you from the title and the subtitle in the New York Times, but from some of the comments.

MR from Manhattan wrote, "'He was my friend for over 20 years, and he is so missed by so many.'" Peter from Canada wrote, probably 40 years ago or more, Robert Hughes described the rise of, unquote, art proletariat, unquote, ready to be plucked almost at random from the overproduction of art schools used briefly by speculators and then tossed aside just as quickly.

The art world is just a proxy for money now, and all that matters are the prices.

I think that's important.

But the reason why we bring this up now is because like in all the studies with Artnet, I think there was one with, you can look it up, I think about any type of art market report as well that's been happening.

like that's something to be looked at in recent studies it's this idea of should we be women artists or women plus artists

but you know what i think is i think that women i think the art world will be changed by women right and it's it's changing a bit but i really feel like and i'd never never want to generalize because of course not a woman or all men but i feel like there is there is a bit more uh vulnerability and more heart that's put into their art and their they the way that they uh interact as well between each other with women right and i can really feel it whenever i'm working with women there is there is this i don't know i don't know if it's called sisa or whatever there's a connection and there's something it goes a bit deeper and you you start talking about things are much deeper that i would not necessarily talk about with a male another male um art um person like whether it's an artist or

Yeah, it's button pushy.

[upbeat music] I'm Ben Davis, and this is The Art Angle, a podcast from Artnet News.

For many, many reasons, it has been several months since we have done one of our Art Angle chat casts, where we assemble writers to talk about a few different news stories on the site.

But it's September, and we're finally back at it.

You have to walk by a whole section on George Washington in the Kenneth Bering Hall of Military History to get to a 15-foot-tall reproduction of the Declaration of Independence." But in fact, the goal of the report was demonstrably to create a straw man for MAGA supporters to hate.

Ben Davis of Artnet reported that Representative Nancy Mace, a Republican of South Carolina, claimed Harding strives to represent queer pedophiles, indoctrination, and grooming of kids at an American history museum and demanded, do you know how many kids get raped by adults every year in this country? Representative Lauren Boebert, a Republican of Colorado, repeatedly demanded of Hartig where the exhibitions honoring 50 million aborted babies are.

Representative Eric Burleson, a Republican of Missouri, demanded, do you love America? I love this country unconditionally, Harding replied.

She would repeat that sentiment repeatedly over the course of two days of hearings as representatives talked over her to get clips to put on social media.

Its trade fair construction unit, meanwhile, remains a soft spot, having already cut a quarter of its Swiss jobs last year.

You can get more details on these stories on news.artnet.com. Art Market Minute is produced by Sonia Manalili and me, Margaret Kerrigan.

Thanks for listening, and we'll see you next week.

His collection hits the market after record-breaking single-owner sales at Sotheby's London, including the $392.6 million Lewis Collection sale in June and the $100 million Carpitas Collection sale last year.

You can get more details on these stories on news.artnet.com. Art Market Minute is produced by Sonia Manalili and me, Margaret Kerrigan.

Thanks for listening, and we'll see you next week.

Expect some of these concerns to show up in the pricing of her works going forward.

You can get more details on these stories on news.artnet.com. Art Market Minute is produced by Sonia Manalili and me, Margaret Kerrigan.

Thanks for listening, and we'll see you next week.